Old Spanish Days Fiesta is rooted in the dozens of short-lived attempts to establish an annual festival in Santa Barbara, starting, perhaps, with the 1886 Mission Centennial celebration. In 1924, the fiesta that was created to celebrate the opening of the new Lobero Theatre succeeded spectacularly. This year marks its 100th year anniversary. Months of […]
In January 1904, the Santa Barbara Independent informed the public that a “very notable art exhibit” had opened at 1212 State St. in the building that recently housed the Chamber of Commerce. For 25 cents, visitors could see the much-lauded oil paintings of the 21 missions of California by Edwin Deakin. “Each of the 21 […]
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Upon the death of beloved local artist Dudley Saltonstall Carpenter in 1955, the newspaper expressed the esteem in which he was held and commented that he had continued to paint to the end of his full and creative life. And what a life that was. Born into a military family in 1870 in Nashville, Tennessee, […]
I couldn’t believe they made a movie about Barbie. Seriously? The doll whose body gave three generations of prepubescent girls inferiority complexes and set a standard so high some became devotees of augmentation surgery? Then I read Josef Woodard’s movie review, one which doesn’t end in a resounding nay or yay, but with – “…the […]
Celebrating the 99th anniversary of its founding this year, Santa Barbara’s Old Spanish Days Fiesta was established in August 1924. Civic celebrations commemorating Santa Barbara’s old Spanish days, however, date back to the December 1886 fiesta celebrating the 100th anniversary of the founding of Mission Santa Barbara. The purpose of that four-day celebration was to […]
In Colonial Jamestown, having survived the starving time and learned how to work thanks to Captain John Smith’s edict of “no work, no food,” the male colonists wanted women. Not just for the delights of the fairer sex, but to share the work. Among her housewifery chores, a woman in Colonial America spun the wool, […]
by Hercule Beresford Italian-born Giuseppe (José) Lobero loved his adopted country so much that he opened his opera house, the first theater in Santa Barbara, on February 22, George Washington’s birthday. With such deep patriotic sentiment, it seems likely that it was he who hung a symbol of our nation above the proscenium arch of […]
In 1854, Pope Pius the IX consecrated Thaddeus Amat y Brusi as bishop of Monterey. The reluctant prelate (he had tried to ditch the papal appointment) moved the headquarters of the diocese to Santa Barbara where he planned to build a cathedral for the relics of the newly beatified Saint Viviana. Arriving in December of […]
In 1854, Pope Pius IX consecrated Thaddeus Amat y Brusi as bishop of Monterey. The reluctant prelate (he had tried to ditch the papal appointment) moved the headquarters of the diocese to Santa Barbara where he planned to build a cathedral for the relics of the newly beatified Saint Viviana. Arriving in December 1855, the […]
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In 1886, the Santa Barbara waterfront was connected to three, often odiferous, esteros and littered with dilapidated shacks and the detritus of the hide and tallow industry. Despite the fact that there were several crude wooden bathhouses, the area was generally a “wild waste of sand, tin cans, and dead animals,” according to historian C.W. […]
Above the riparian corridor of Arroyo Hondo, a bleak Daliesque landscape reveals the aftermath of October’s Alisal Fire. Chaparral that hadn’t burned in too many years fed the wind-driven fire into the canyon from the east. Despite the grazing program of sheep and cattle on the hills flanking both sides of the lower canyon, the […]
In mid-September, my husband Michael and I hit the road and traveled to Kellogg, Idaho, to ride the rails. Our locomotion, however, was pedal-powered and the iron rails had long been torn out, leaving behind two rail corridors: one of the Union Pacific Railroad and the other of the Chicago, Milwaukee, St. Paul and Pacific […]
In 1919, Santa Barbarans had learned to work together for the war effort, and the time was ripe for a new era to begin, one that would start with the formation of a community chorus and blossom into a cultural renaissance. The community chorus idea had been borne of the idealism of the Progressive Era […]
In the early 1920s, the artist John Dwight Bridge was a popular and important force in the cultural renaissance fostered by the Community Arts Association. Having proven himself in earlier productions of the Community Arts Players, he may have reached his apex when he took on the role of Nicola, the Bulgarian manservant in George […]






